{"id":6307,"date":"2021-09-09T16:26:04","date_gmt":"2021-09-09T14:26:04","guid":{"rendered":"https:\/\/www.valeriolisci.com\/news\/nuova-composizione-maschera\/"},"modified":"2026-10-11T19:49:52","modified_gmt":"2026-10-11T17:49:52","slug":"nuova-composizione-maschera","status":"publish","type":"post","link":"https:\/\/www.valeriolisci.com\/fr\/nuova-composizione-maschera\/","title":{"rendered":"Nouvelle composition : \u00ab Maschera \u00bb"},"content":{"rendered":"<p>\u00ab Le morceau d\u00e9crit un conflit int\u00e9rieur entre ce que nous sommes, ce que nous aimerions \u00eatre et ce que les autres voudraient que nous soyons. D\u00e8s le d\u00e9but, plusieurs motifs apparaissent soudainement ; les changements de caract\u00e8re dans l\u2019interpr\u00e9tation doivent \u00eatre tout aussi brusques (1\u201317). Au fil du morceau, ces motifs se m\u00ealent et prennent des formes hybrides et vari\u00e9es \u00e0 mesure que le <em>conflit<\/em> s\u2019intensifie (18\u201347). La troisi\u00e8me partie repr\u00e9sente la maturation (48\u201369). La fin reste d\u00e9lib\u00e9r\u00e9ment en suspens. \u00bb<\/p>\n<h2>Maschera (2021) \u2013 Valerio Lisci<\/h2>\n<p>D\u00e9di\u00e9e \u00e0 <em>Gabriella Bosio<\/em> et <em>Letizia Belmondo<\/em><\/p>\n<!--[if lt IE 9]><script>document.createElement('video');<\/script><![endif]-->\n\t<div class=\"wp-playlist wp-video-playlist wp-playlist-light\">\n\t\t<video controls=\"controls\" preload=\"none\" width=\"1122\"\n\t\t height=\"1995\"\t><\/video>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='https:\/\/www.valeriolisci.com\/wp-content\/uploads\/2021\/09\/Prova-1.mp4'>Prova 1<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" class=\"wp-playlist-script\">{\"type\":\"video\",\"tracklist\":true,\"tracknumbers\":true,\"images\":true,\"artists\":true,\"tracks\":[{\"src\":\"https:\\\/\\\/www.valeriolisci.com\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Prova-1.mp4\",\"type\":\"video\\\/mp4\",\"title\":\"Prova 1\",\"caption\":\"\",\"description\":\"\",\"meta\":{\"length_formatted\":\"7:39\"},\"dimensions\":{\"original\":{\"width\":1080,\"height\":1920},\"resized\":{\"width\":1122,\"height\":1995}},\"image\":{\"src\":\"https:\\\/\\\/www.valeriolisci.com\\\/wp-includes\\\/images\\\/media\\\/video.png\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\\\/\\\/www.valeriolisci.com\\\/wp-includes\\\/images\\\/media\\\/video.png\",\"width\":48,\"height\":64}}]}<\/script>\n<\/div>\n\t\n","protected":false},"excerpt":{"rendered":"<p>\u00ab Le morceau d\u00e9crit un conflit int\u00e9rieur entre ce que nous sommes, ce que nous aimerions \u00eatre et ce que les autres voudraient que nous soyons. D\u00e8s le d\u00e9but, plusieurs motifs apparaissent soudainement ; les changements de caract\u00e8re dans l\u2019interpr\u00e9tation doivent \u00eatre tout aussi brusques (1\u201317). Au fil du morceau, ces motifs se m\u00ealent et prennent des formes hybrides et vari\u00e9es \u00e0 mesure que le conflit s\u2019intensifie (18\u201347). La troisi\u00e8me partie repr\u00e9sente la maturation (48\u201369). La fin reste d\u00e9lib\u00e9r\u00e9ment en [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":5700,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[27],"tags":[],"_links":{"self":[{"href":"https:\/\/www.valeriolisci.com\/fr\/wp-json\/wp\/v2\/posts\/6307"}],"collection":[{"href":"https:\/\/www.valeriolisci.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.valeriolisci.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.valeriolisci.com\/fr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.valeriolisci.com\/fr\/wp-json\/wp\/v2\/comments?post=6307"}],"version-history":[{"count":3,"href":"https:\/\/www.valeriolisci.com\/fr\/wp-json\/wp\/v2\/posts\/6307\/revisions"}],"predecessor-version":[{"id":7424,"href":"https:\/\/www.valeriolisci.com\/fr\/wp-json\/wp\/v2\/posts\/6307\/revisions\/7424"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.valeriolisci.com\/fr\/wp-json\/wp\/v2\/media\/5700"}],"wp:attachment":[{"href":"https:\/\/www.valeriolisci.com\/fr\/wp-json\/wp\/v2\/media?parent=6307"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.valeriolisci.com\/fr\/wp-json\/wp\/v2\/categories?post=6307"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.valeriolisci.com\/fr\/wp-json\/wp\/v2\/tags?post=6307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}