Morgen

Richard Strauss composed Morgen! in 1894 on a poem by John Henry Mackay, as part of a cycle of Lieder for voice and piano. He later created an orchestral version, enriching its timbral shades and expressive depth. In this transcription for harp, clarinet, and cello, the piece transforms into a chamber dialogue where the human voice is replaced by the clarinet, which takes on the role of song with unusual breathing patterns and a suspended phrasing, filled with anticipation and lyricism.

The harp serves as the custodian of harmony, supporting the melodic flow with delicate resonances and transparent arpeggios, while the cello envelops the clarinet in a warm embrace, expanding the expressive nuances with its deep and rich timbre. In this version, the piece retains its poignant intimacy, enhanced by a new timbral dimension that highlights the purity and contemplative stillness of the original composition.

The poem on which the Lied is based expresses a sense of hope and renewal, evoking a promised meeting in a bright future, where silence and the beauty of nature merge into a timeless peace.

Original poem by John Henry Mackay & English translation

Morgen!

And tomorrow the sun will shine again,
And on the path that I shall take,
It will unite us, the happy ones,
Amidst this earth breathing in sunlight…

And to the shore, broad and blue with waves,
We shall descend in silence and slowly,
We shall look into each other’s eyes speechlessly,
And upon us shall descend the mute silence of happiness.